To many people, Albéniz is probably remembered for some charming salon music and one mighty work, Iberia – surely one of the jewels of the piano repertoire. Clark’s study of his life, works and times provides an illuminating insight into both his original sound-world and his place in musical history.

Extensively researched and presented in a persuasively written style, one of the striking features of the book is a meticulous attention to detail, something evident in the wealth of footnote material; no stone is left unturned.

It opens with an introductory chapter that sets out the author's reasons for writing the book and his approach to the minefield of contradictory information surrounding Albéniz’s biographical details. This is fascinating and certainly makes the reader appreciate the magnitude of Clark’s achievement, especially when considering that the composer himself was inclined to give more than one biographical version of certain periods of his life. Discussion of Albéniz’s alleged studies with Liszt demonstrates well the author’s ability to draw together the various strands of documentary evidence, only to conclude with the possibility that the whole story could conceivably be a total fabrication. Importantly, other myths are dispelled, such as Rubinstein’s widely reported claims to have premiered Iberia; Clark points out that the Catalan pianist Joaquim Malats (Albéniz’s favourite interpreter of his works) had played the pieces several years previously.

A whole chapter is deservedly devoted to Iberia, but throughout the book detailed investigation is given to the more obscure corners of his repertoire such as his stage works, where musical detail is discussed alongside the historical context and the important influence of the Englishman Francis Coutts, who provided much personal and financial assistance throughout Albéniz’s life. When he is concentrating on the music, Clark’s analytical skills are impressive. This is particularly noticeable in the chapter on Iberia, where the Nationalistic characteristics are traced through to their origins in folk music.

Anyone with an interest in Spanish music would enjoy this book; Albéniz’s colourful life makes for great reading and the author has certainly done his subject justice.

Gavin Meredith