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LEVEL (History & Analysis) |
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Composer Portrait:
Franz Joseph Haydn |
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Composer
Portrait:
Ludwig van Beethoven |
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The Sonata
An overview from Classical to Romantic Periods
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Chamber Music
An Overview of the Development of Chamber Music |
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Study
Guides : Keyboard Music |
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| Sweelinck:
Pavana Lachrimae |
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| JS
Bach: Sarabande and Gigue from Partita no. 4
in D major, BWV 828 |
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| Mozart:
Piano Sonata in B-flat K333, first movement |
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| Schumann:
Kinderscenen, op.15 nos. 1, 3 and 11 |
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| Debussy:
'Sarabande' from Pour Le Piano |
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| Shostakovich:
Prelude and Fugue in A major |
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| Mozart:
Piano Sonata in A major, K331 |
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Mozart: Piano Concerto
K488, 1st Mvt
An analysis showing the use of sonata form in the classical
concerto |
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Mozart:
Piano Concerto in B flat K595
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Chopin: Chopin's Piano
Sonata in B Flat Minor, Opus 35
Special Study: Shifting modes of reception: |
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| Beethoven:
Piano Sonata, Opus 81a 'Les adieux', 1st movement |
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Study
Guides : Sacred Vocal Music |
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| John
Taverner: O Wilhelme pastor bone |
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| Giovanni
Gabrieli: In ecclesiis from Symphoniae
Sacrae II |
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| JS
Bach: Cantata No. 48, Ich elender Mensch |
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| Haydn:
Quoniam tu solus Sanctus from The Nelson Mass
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| Stravinsky:
Symphony of Psalms (Movement III) |
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| John
Tavener: The Lamb |
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| Bruckner:
Locus Iste |
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| Handel:
Coronation Anthem: The King Shall Rejoice |
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Mozart:
Piano Concerto in B flat K595
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Chopin: Chopin's Piano
Sonata in B Flat Minor, Opus 35
Special Study: Shifting modes of reception: |
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| Beethoven:
Piano Sonata, Opus 81a 'Les adieux', 1st movement |
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Study
Guides : Chamber Music |
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| Haydn:
Quartet in E flat Op. 33 no. 2 (movement IV) |
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Brahms:
String Quartet, Opus 51 No. 2
Rondo form; an introduction |
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Study
Guides : Orchestral Music |
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| Wagner:
Prelude to Tristan and Isolde |
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| Debussy:
Prélude à l’après-midi d’un faune |
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| Berlioz:
Harold in Italy (Movement III) |
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| Tippett:
Concerto for Double String Orchestra (Movement
I) |
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| Mendelssohn:
Overture The Hebrides |
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| Haydn:
Symphony No 103, 2nd Movement |
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| Mendelssohn:
Overture to A Midsummer Night's Dream |
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| Beethoven: Symphony
No. 5 in c minor, Finale |
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Musicology |
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| Dramatic
Music in England, 1600-1710: An Overview |
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| Dramatic
Music in England, 1710-1759: An Overview |
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Olivier
Messiaen: An Introduction
An examination of the life and musical style of Olivier
Messiaen, 1908-1992 |
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Gerald
Finzi: Special Study
Discernible Poetic and Philosophical Influences in the
works of Gerald Finzi |
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Igor
Stravinsky: Special Study
Perséphone: An Interpretation by Igor Stravinsky and André
Gide |
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Serialism in the music
of Schoenberg, Berg and Webern
Different approaches to twelve-tone technique |
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